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	<title>Warung Fiksi &#187; Film</title>
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	<description>copywriting &#124; ghostwriting &#124; scriptwriting &#124; about culture, nature and creature of Indonesia</description>
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<title>Warung Fiksi</title>
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		<title>How to Characterize Your Heroes</title>
		<link>http://warungfiksi.net/how-to-characterize-your-heroes/</link>
		<comments>http://warungfiksi.net/how-to-characterize-your-heroes/#comments</comments>
		<pubDate>Sun, 13 May 2012 09:06:07 +0000</pubDate>
		<dc:creator>Brahmanto Anindito</dc:creator>
				<category><![CDATA[fiction]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[literary]]></category>

		<guid isPermaLink="false">http://warungfiksi.net/?p=2030</guid>
		<description><![CDATA[Characterization. Portrayal of fictional characters. That is one of the most important parts in fiction writing. All writers can create characters. But not all of them can create characters who will spawn emotion within the readers. Firstly, you need to know in characterizing is that no one is entirely an angel, as no one is completely a demon. Then, start to scratch your heroes profile. The more detail the better. However, the basic is: his/her full name, gender, age, hobbies, physic, nature, and purpose of life. Once the profiles are defined, go develop those characters inside your storyline. The characters can be developed through the name, narration, dialogue, and the opinion of other characters. You may shortcut the characterization by putting yourself as a character in the story. Or simply pick your friend, lover, brother or boss real life profile. Change some in here and there, so if they are not happy with your work, they cannot sue you. This method will work faster. However, I prefer to create my own heroes. * * * Tidak ada karya fiksi yang tidak punya tokoh atau karakter. Karakterisasi atau proses menciptakan tokoh pun menjadi hal yang krusial. Proses ini tidak terlalu sulit [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Simple Idea Yet Unexpected</title>
		<link>http://warungfiksi.net/simple-idea-yet-unexpected/</link>
		<comments>http://warungfiksi.net/simple-idea-yet-unexpected/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 05:58:11 +0000</pubDate>
		<dc:creator>Brahmanto Anindito</dc:creator>
				<category><![CDATA[knowledge]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[literary]]></category>

		<guid isPermaLink="false">http://warungfiksi.net/?p=2398</guid>
		<description><![CDATA[Did you know, every good book has always one simple idea which easy to understand, but unexpected. Just one. Not that more ideas in a book is forbidden. But, the books that stick on readers&#8217; mind have only one simple idea yet unexpected. I give you examples. The Secret: “Ask, you’ll be given”. Message from Water: “Behave and speak in positive manner, because it would affect the waters around you.” Simple, yet unexpected! * * * Tahukah Anda, setiap buku yang baik selalu punya satu ide yang sederhana, mudah dipahami, namun tak terduga. Satu saja. Bukan berarti punya banyak ide dalam satu buku tidak boleh. Hanya, biasanya buku-buku yang akan diingat terus oleh pembacanya memang yang memiliki satu saja ide simple yet unexpected. Buku-buku ini adalah beberapa contohnya: Rich Dad, Poor Dad (Robert Kiyosaki, 2000): Mulai sekarang, jangan mau jadi orang gajian atau hanya rajin menabung. The Tipping Point: How Little Things Can Make a Big Difference (Malcolm Gladwell, 2000): Ternyata ada hal kecil yang sulit kita kontrol tapi bisa membuat kita sukses besar. Message from Water (Masaru Emoto, 2004): Bersikap dan berkata-katalah yang positif, karena itu akan mempengaruhi air-air di sekitarmu. Blink: The Power of Thinking Without Thinking (Malcolm [...]]]></description>
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		<slash:comments>7</slash:comments>
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		<title>Pencak Silat Movie Goes International</title>
		<link>http://warungfiksi.net/pencak-silat-movie-goes-international/</link>
		<comments>http://warungfiksi.net/pencak-silat-movie-goes-international/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 00:06:01 +0000</pubDate>
		<dc:creator>Brahmanto Anindito</dc:creator>
				<category><![CDATA[fiction]]></category>
		<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://warungfiksi.net/?p=908</guid>
		<description><![CDATA[In the heart of Jakarta&#8216;s slums lies an impenetrable safe house for the Indonesian most dangerous gangsters. Cloaked under the cover of pre-dawn darkness and silence, an elite SWAT team raids the apartment in order to take down the notorious drug lord. It runs well, until the lord caught them. The building&#8217;s lights are then cut and all the exits are blocked. That&#8217;s where the slaughter begin. Gangsters in the building versus (just) 20 special polices. The unit must fight their way to survive, and yet, to accomplish their mission. That&#8217;s the synopsis of The Raid: Redemption (Gareth Evans, Indonesia: 2011). Nothing special within the plot, I tell you. The story goes even like a text without context. Suddenly this, immediately that. But the fury is really, really world class action. With a fresh sense of humor in few scenes. Thanks to Gareth Huw Evans for done such masterpiece. After hollow decades, finally Indonesia produced a greatexecuted action, martial arts movie. Such a refreshment among the genre of cheap comedy, horny teen, horror, or what so-called inspirational in Indonesian cineplex. Before The Raid, Gareth directed Merantau, Indonesian traditional martial arts, pencak silat-based movie. Story set on Sumatra and Jakarta’s today, [...]]]></description>
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		<slash:comments>19</slash:comments>
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		<item>
		<title>FAQ (Frequently Accused-Questions) to Fiction Writers</title>
		<link>http://warungfiksi.net/faq-frequently-accused-questions-to-fiction-writers/</link>
		<comments>http://warungfiksi.net/faq-frequently-accused-questions-to-fiction-writers/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 08:33:14 +0000</pubDate>
		<dc:creator>Brahmanto Anindito</dc:creator>
				<category><![CDATA[fiction]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[game]]></category>
		<category><![CDATA[literary]]></category>

		<guid isPermaLink="false">http://warungfiksi.net/?p=2103</guid>
		<description><![CDATA[Have you, as a fiction author, ever been asked by people pretended to know everything about work of writing and publishing? Were you boxed into a corner by those questions? I was. I have ever faced few “judges” like that. But I never give a damn, ha-ha. I have a list of what did my friends negatively say about work of fiction. Unfortunately, I didn’t have time to translate those into English. But I bet you already knew things like: all fiction writers are liar, a words waster, ones who live in imagination without seeing the real world, blah. Insignificant accusations that can be easily countered. * * * Teman-teman saya secara terpisah pernah menanyai kenapa saya menulis fiksi? Sebenarnya saya juga menulis nonfiksi. Tulisan-tulisan saya lebih sering nonfiksi, bahkan. Namun tetap saya jelaskan kenapa saya menulis fiksi. Lalu mereka pun menanggapi. Beberapa positif, beberapa negatif. Dan beberapa dari yang negatif itu bereaksi lebay dengan memvonis-vonis betapa tidak bergunanya membuat karya fiksi. Jadi ingin tertawa melihat “hakim-hakim” itu. Maka otak saya tiba-tiba membayangkan suasana pengadilan dengan saya sebagai terdakwanya. Saudara Terdakwa, Anda dituduh melakukan penipuan yang terstruktur melalui karya fiksi. Apa pembelaan Saudara? Saya mengakuinya, Yang Mulia. Tapi itu adalah [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<item>
		<title>Mind Mapping for Fiction Writing</title>
		<link>http://warungfiksi.net/mind-mapping-for-fiction-writing/</link>
		<comments>http://warungfiksi.net/mind-mapping-for-fiction-writing/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 10:02:23 +0000</pubDate>
		<dc:creator>Brahmanto Anindito</dc:creator>
				<category><![CDATA[fiction]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[literary]]></category>

		<guid isPermaLink="false">http://warungfiksi.net/?p=2050</guid>
		<description><![CDATA[Do you make a skeleton before writing your work of fiction? I do. It is important for me. The skeleton is like a railroad that makes the machinist saves his time from thinking all the time, “Where do I go after this station?” You can say, skeleton for a novel is the same as scenario for a movie. The audience does not need it, but the storymakers do. I love to use a mind mapping method. It is more practical and flexible. Have you known it? It is just like the picture I borrow from Mindmap.com beside. And, design something like that is painless. First of all, prepare a large sheet of paper and markers in various colors. Then, just follow where your brain goes: Write or draw the main idea in the middle of paper. Use a variety of colors. Write the sub ideas as a branch. Continue to develop the branch’s branches. If there are sub ideas associate with another, do not hesitate to connect them with line. In my opinion, you should separate a mind map for characters and for plot. There is no standard of excellence in mind mapping. As long as it helps you a [...]]]></description>
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		<slash:comments>7</slash:comments>
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